Benny Spellman - Fortune Teller

The deep bass voice of New Orleans R&B vocalist Benny Spellman boomed through loud and clear on many early 60's Allen Toussaint productions, but he enjoyed a major hit of his own in 1962, "Lipstick Traces (On A Cigarette)." Spellman spent some time with Huey "Piano" Smith & The Clowns before signing with Minit, where Toussaint utilized his deep pipes to full advantage as a backing vocalist behind Ernie K-Doe on "Mother-In-Law" and countless others. The Rolling Stones covered "Fortune Teller," the flip side of this hit. Spellman recorded through much of the '60s, his "Word Game" turning up on Atlantic in 1965, before he took a day gig as a beer salesman.

01 - Fortune Teller
02 - Stickin' Witcha Baby
03 - In The Night
04 - Every Now And Then
05 - 'Tain't It The Truth
06 - Life Is Too Short
07 - You Don't Love Me No More
08 - Talk About Love
09 - I Feel Good
10 - Lipstick Traces (On A Cigarette)
11 - I'll Never Leave You
12 - It's For You
13 - Word Game
14 - You Got To Get It
15 - Anywhere You Go
16 - 10-4 (Calling All Cars)


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Mickey Baker - Rock With A Sock

This 28-track collection rounds up sessions guitar player Mickey Baker cut as a leader between 1952-1957 for such labels as Savoy, Rainbow, Groove, MGM, and Vik. Baker is best-known for his duets with Sylvia Robinson as Mickey & Sylvia as well as his incredibly prolific and influential session work. As a leader, Baker tried various styles from rock & roll ("I'm Tired") to mambo ("Guitar Mambo") to acoustic blues ("Love Me Baby") to acoustic doo wop ("Oh, Happy Day") to tough blues ("Down to the Bottom," "You Better Heed My Warning") to jump blues ("Rock With a Sock," which features some hot sax by Warren Luckey) to jazz ("Chloe," "Ghost of a Chance"), trying his hand at instrumentals and vocals and always delivering high-energy, high-quality music. There are no lost classics hidden away here, but it is nice to hear Baker get a chance to step out on his own and rock. Baker's guitar playing is almost always energetic and unrestrained and his laconic vocals are a lot of fun. He also shows a more serious side on a date for Vik in 1957. The four tracks (all of which were never issued) are calm jazz ballads that Baker plays gently and with a great deal of finesse and feeling, and they show he could have had a career as a jazz player if he had wanted.

As a bonus, Bear Family adds five previously unreleased Mickey & Sylvia tracks to the end of the set. Four of the tracks are typical smooth and poppy Mickey & Sylvia fare, but "Can't Get You on the Phone" displays a slightly harder musical edge to go with their usual lighthearted lyrics and delivery. It is almost a shame that they included these tracks, as they take some of the focus off of Mickey Baker's solo work, but the tracks are of such a high quality that it doesn't detract from the listening pleasure one bit. Anyone with an interest in discovering the versatility of one of the great craftsmen and founding fathers of rock & roll should check out this CD. You'll soon be singing the praises of Mickey Baker to anyone who will listen. 

01 - Guitar Mambo
02 - Riverboat
03 - Love Me Baby
04 - Oh Happy Day
05 - Where Is My Honey
06 - I'm Tired
07 - Stranger Blues
08 - I Wish I Knew
09 - Down To The Bottom
10 - You Better Heed My Warning
11 - Midnight Hours
12 - Please Tell Me
13 - Shake Walkin'
14 - Greasy Spoon
15 - Bandstand Stomp (Ho Ho Ho)
16 - Rock With A Sock
17 - Old Devil Moon
18 - Guitarambo
19 - Spinnin' Rock Boogie
20 - Chloe
21 - Ghost Of A Chance
22 - Man I Love
23 - Bobi
24 - Hello Stranger - Mickey & Sylvia
25 - My Love - Mickey & Sylvia
26 - Woe, Woe Is Me - Mickey & Sylvia
27 - Can't Get You On The Phone - Mickey & Sylvia
28 - I'll Always Want You Near - Mickey & Sylvia

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Honky Tonk! The King & Federal R&B Instrumentals

With Bill Doggett and Freddy King alone, the King/Federal labels had two of the most popular and significant instrumental R&B/rock hitmakers of the 1950s and early '60s. Both are represented by their most popular instrumental tracks (four by Doggett, three by King) here. But this compilation, assembling 24 instrumentals from 1948-1964, also demonstrates that King/Federal was quite active in the instrumental R&B field beyond its work with those two artists. In many of the 24 cuts (particularly the earliest ones), the label mined R&B/jazz crossover sounds with a smoky barroom flavor. Giving the sleeve a casual glance, most would assume that the material for the most part flopped upon release, but actually a few of these were big (if virtually forgotten) R&B hits, like Todd Rhodes' "Blues for the Red Boy" (from 1948), Earl Bostic's effervescent "Flamingo" (from 1951), and Sonny Thompson's shuffling "Long Gone" (1948), a groundbreaker in that it not only sat atop the R&B charts for a long time but also made the pop Top 30. Beyond that, things do get rather generic, even though there are some relatively big names like Mickey Baker and King Curtis (heard backing Washboard Bill) and future James Brown sideman Jimmy Nolen (who shines on blues guitar on the 1956 single "After Hours"/"Strollin' With Nolen"). There's no denying, however, that Doggett's massive and classic "Honky Tonk" (parts one and two are both here) and King's snazzy blues guitar instrumentals are easily the most worthwhile items on board. There is, however, one other great cut: Johnny "Guitar" Watson's astonishingly futuristic 1954 workout "Space Guitar" (released under the billing Young John Watson), one of the great relatively obscure classics of the mid-'50s.

01 - Honky Tonk, Pt. 1 - Bill Doggett
02 - Honky Tonk, Pt. 2 - Bill Doggett
03 - Hide Away - Freddie King
04 - Blues for the Red Boy - Todd Rhodes
05 - Flamingo - Earl Bostic & His Orchestra
06 - Long Gone, Pt. 1 - Sonny Thompson
07 - Long Gone, Pt. 2 - Sonny Thompson
09 - Big Push - Cal Green
10 - After Hours - Jimmy Nolen
11 - Slow Walk - Bill Doggett
12 - San-Ho-Zay - Freddie King
13 - Washboard Story - Mickey Baker, King Curtis, Washboard Bill
14 - Early in the Morning Blues - Johnny Otis, Johnny "Guitar" Watson
15 - Green's Blues - Cal Green
16 - Gainesville - Roy Gaines
17 - Strollin' With Nolen - Jimmy Nolen
18 - In the Morning - Mickey Baker, King Curtis, Washboard Bill
19 - Space Guitar - Johnny "Guitar" Watson
20 - Louisiana Hop - Pete "Guitar" Lewis
21 - River Boat Dock - Mickey Baker, King Curtis, Washboard Bill
22 - Let's Rock (Let's Surf Awhile) - Johnny Otis, Johnny "Guitar" Watson
23 - Stumble - Freddie King
24 - Hold It - Bill Doggett

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Jimmy Dean - Big Bad John

This was the album that established Jimmy Dean as a hitmaker in the early '60s, switching from mainly gospel material to country/pop. Along with his biggest hit, "Big Bad John," the other ten tracks include "Sixteen Tons" and the light country swing of "Night Train to Memphis" and "Smoke, Smoke, Smoke That Cigarette."

01 - Big Bad John

02 - I Won't Go Huntin' With You Jake (But I'll Go Chasin' Wimmin)

03 - Smoke! Smoke! Smoke! (That Cigarette)

04 - Dear Ivan

05 - To A Sleeping Beauty

06 - Cajun Queen

07 - P.T. 109

08 - Walk On Boy

09 - Little Bitty Big John

10 - Steel Men

11 - Little Black Book

12 - Please Pass The Biscuits

13 - Gonna Raise A Ruckus Tonight

14 - Day That Changed The World

15 - Gotta Travel On

16 - Sixteen Tons

17 - Oklahoma Bill

18 - Night Train To Memphis

19 - Make The Waterwheel Roll

20 - Lonesome Road

21 - Grasshopper Mac Clain

22 - Old Pappy's New Banjo

23 - You're Nobody 'Til Somebody Loves You

24 - Cajun Joe

25 - Nobody

26 - Kentucky Means Paradise

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Gino Washington - Love Bandit

In the early '60s, the growing crossover success of Berry Gordy's Tamla/Motown empire encouraged a lot of young Detroit singers, musicians, and hopeful entrepreneurs to explore the record business. There's a seemingly endless supply of Motor City soul (and rock) music from the era still being hunted down and sorted out to this day by collectors and discographers, from better-known small labels such as Golden World and Ric-Tic to one-off custom jobs.

One of those youths drawn to get the bug was Gino Washington, who launched his career with "I'm a Coward" in 1962 on legendarily obscure Detroit label Correc-Tone. His second release made enough noise locally to get picked up nationally by Wand, though the military draft would come calling before stardom did. Washington managed to do some recording during furloughs and put out a few singles during his service time -- and many, many more afterwards -- though his early commercial momentum was never regained.

His discography at Soulful Kinda Music lists a dizzying array of obscure releases continuing right into the 1980s, though few probably made it much beyond the city limits at the time. For those of us outside Detroit who aren't likely to find many of his original singles these days (or can't afford them), Washington's career has been ably documented by the inveterate record collectors over at Norton Records. Back about a decade or so ago came a "hits" collection, Out of This World, and following in 2002 was a second, more intriguing collection, Love Bandit.

While the first comp may contain the cream and be a better starting point for casual listeners, the second LP is a goldmine for rare soul collectors and serious Washington fans. After starting off with a couple tracks which could have made the defacto hits collection -- "Hey I'm a Love Bandit" and "Puppet on a String," the flip of his first single -- the album takes a quick left turn into collectordom.

Drawing on unreleased material from one-of-a-kind acetates, more tracks from his post-Army days and some production work for others, the Love Bandit album recalls the eclectic nature of some of the comps devoted to another prolific Detroit soul man, Andre Williams, both in the often raw sound quality and the diversity of styles on display. There's harder funk numbers such as "You Should Have Been True" or the James Brown turned sideways of Nathaniel Mayer's "I Don't Want No Bald Headed Woman Telling Me What to Do." There's the sweet, if raw, group soul of "Like My Baby" and "Rat Race," two sets of lyrics which use the same backing track! And there's the classic early-Motownesque sound of Pearl Jones' "My Man," and the Northern Soul classic "I Really Love You" by The Tomangoes. As usual with Norton releases, there's also well-written and informative liner notes telling the story for those who love the details.

Anyone who's a serious fan of '60s Detroit soul looking for something different would be well served by checking out both of Norton's reissues of Gino Washington's recordings, which remain in print on both LP and CD. While Washington never became a star, in an odd coincidence a similarly named Indiana soul singer named Geno Washington did become a star in England in the 1960s with the Ram Jam Band, doing a high-energy revue of American soul hits of the day. A couple of the group's LPs were released here by Kapp, suffering a similar fate to Gino's records stateside ... but that's another story.

(Norton, 2002)

01 - Hey I'm A Love Bandit

02 - Puppet On A String

03 - I Gotta Move On (Previously Unreleased)

04 - 'Til The End Of Time (Previously Unreleased)

05 - You Should Have Been True (Previously Unreleased)

06 - Like My Baby

07 - Everything Is Di-Jo-Be (Previously Unreleased)

08 - My Man

09 - Please Stay

10 - I Really Love You

11 - I Don't Want No Bald Headed Woman Telling Me What To Do (Previously Unreleased)

12 - Rat Race

13 - Doing The Popcorn

14 - Singing In The Rain (Previously Unreleased)

15 - Foxy Walk

Buy it on vinyl at Norton Records!

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Jimmy Smith - Bashin': The Unpredictable Jimmy Smith

Although still a regular Blue Note artist (he would make four more albums for the company within the next year), Bashin' was organist Jimmy Smith's debut for Verve, a label that he would record extensively for during 1963-1972.

On the first half of the program (reissued in full on this CD), Smith was for the first time joined by a big band. Oliver Nelson provided the arrangements, trumpeter Joe Newman and altoist Phil Woods have a solo apiece, and "Walk on the Wild Side" became Smith's biggest hit up to that point. 

The final three numbers feature Smith's regular trio with guitarist Quentin Warren and drummer Donald Bailey swinging with soul as usual. The historical set (a bit of a turning point for Jimmy Smith's career) has its strong moments although it is not all that essential. 

01 - Walk On The Wild Side

02 - Ol' Man River

03 - In A Mellow Tone

04 - Step Right Up

05 - Beggar For The Blues

06 - Bashin'

07 - I'm An Old Cow Hand (From The Rio Grande)

08 - Bashin' (45 rpm Version)

09 - Ol' Man River (45 rpm Version)

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James Booker - Gonzo: More Than All The 45s

Numerous discs are available featuring the eccentric and tragic New Orleans R&B pianist James Booker usually performing solo, recorded during live gigs from the 1970s and early '80s. This disc provides an amazing collection of the earliest Booker on piano and organ backed by a full band.
Booker made his recording debut in 1954 with the Imperial single "Doing the Hambone," backed with "Thinking About My Baby." During the next few years he would release equally exciting, although sporadic, singles on Chess, Ace, Peacock, and Duke, supported by some of New Orleans finest R&B musicians, including the sax section of Lee Allen, Robert Parker, and Red Tyler, drummer Earl Palmer, and bassist Frank Fields.
The 1956 Chess singles "You're Near Me" and "Heavenly Angel" find Booker paired up on doo wop vocal duets with Arthur Booker (no relation). The remaining tracks are scorching dance numbers tied in with novelty/twist themes with catchy names such as "Teenage Rock," "Gonzo" (providing a national hit), "Cool Turkey," "The Duck," "The Crown," and "Beale Street Popeye."
This is exceptional New Orleans R&B that provides an important piece of the James Booker musical puzzle... Even french singer Nino Ferrer used to dig James Booker by turning the song "Big Nick" into a lyrical version called "Les Cornichons"!

01 -  Doing The Hambone
02 - Thinking About My Baby
03 - You're Near Me
04 - Heavenly Angel
05 - Teenage Rock
06 - Gonzo
07 - Cool Turkey
08 - Smacksie
09 - Kinda Happy
10 - Tubby Part 1
11 - Tubby Part 2
12 - Cross My Heart
13 - Big Nick
14 - Beale Street Popeye
15 - Memphis Twist
16 - The Duck
17 - The Crown


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James Booker - Junco Partner

This solo disc by arguably the most brilliant of New Orleans' resplendent pianists shows off all the edge and genius he possessed. There may be moments on other discs of slightly more inspired playing (and this is arguable), but for a whole disc this one stands far from the crowd. You can hear some of the most awe-inspiring playing here that reflects the extremely broad background that he could, and did, draw from. You can hear his classical training and the brilliance of his interpretive skills in "Black Minute Waltz." He follows this with a version of Leadbelly's "Good Night Irene," which shows off his raucous bordello style of playing and voice. The disc goes on showing off the eclectic variety of influences that make up this man's music. This disc also displays the man's prodigious composing and arranging talents. Though he was regarded as eccentric and crazy, even by New Orleans' accepting standards (he was a flamboyant, black substance abuser, and a homosexual, who spent time both in Angola State Prison and a mental institution), he was considered a musical genius and thus given a certain amount of leeway. Very informative notes by Booker himself (some insight), Joe Boyd (the producer), and George Winston on Booker and his styling. An absolute must if you like New Orleans music.

01 - Black Minute Waltz

02 - Goodnight Irene

03 - Pixie

04 - On The Sunny Side Of The Street

05 - Make A Better World

06 - Junco Partner

07 - Put Out The Light

08 - Medley: Blues Minuet/Until The Real Thing Comes Along/Baby Won't You

09 - Pop's Dilemma

10 - I'll Be Seeing You

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Howlin' Wolf - Rockin' The Blues : Live In Germany 1964

Ahouhouuuuu! Here's another gem of one of my all-time favorite bluesmen, Mr. Chester Burnett! The Wolf is joined on this set by his long-time guitarist Hubert Sumlin and Chicago greats Willie Dixon and Sunnyland Slim. This performance is one of the best examples of Howlin’ Wolf at the height of his powers when he was still an enormous influence on the British Blues movement. Wolf had toured the UK with The Folk Blues Festival before undertaking a solo tour of Germany shortly after The Rolling Stones had topped the Euro charts with their version of his “Little Red Rooster”.

1 - Shake It For Me
2 - Love Me
3 - Dust My Broom
4 - I Didn't Mean To Hurt Your Feelings
5 - Rockin' The Blues
6 - All My Life
7 - Going Down Slow
8 - Howlin' For My Darling
9 - Forty-Four


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Little Milton - Stax Profiles

Although Little Milton (Milton Campbell) is chiefly remembered for his fine Chess Records sides from the '60s, his stay at Stax Records in the early '70s saw him expand his palette with horns and strings in a more soul-oriented direction, and in many ways it was his most creative period. He never strayed too far from the blues, particularly as a guitarist, but his Stax sides increasingly showcased his amazingly expressive singing, and his intense vocals on the best of these tracks is nothing short of redemptive. This generous single-disc overview of Milton's Stax years (it comes in at a little over 70 minutes in length) has a little bit of everything, from live tracks featuring his precision guitar skills to fully arranged sessions with horns and strings that spotlight his voice. The opener, a live take of "Let Me Down Easy" from the 1973 Montreux Jazz Festival featuring the odd, driving drum skills of Calep Emphrey, is an emotional tour de force and is easily one of the most powerful tracks here, with Milton singing like a desperate, displaced angel. Another live cut, a version of Willie Dixon's "I Can't Quit You Baby" recorded at the Summit Club in Los Angeles in 1972, showcases Milton's lead guitar work, which is reminiscent of B.B. King but with a larger and more raw tone. Highlighting the studio tracks are the impressive "Walkin' the Back Streets and Crying" from 1972 and the loose, garage-feel of 1971's delightful "I'm Living off the Love You Give," which edges into Motown territory with its romping rhythm, backing chorus, and efficient use of both horns and a string section. Another clear highpoint here is Milton's 1973 take on Roy Hawkins' (by way of B.B. King) "The Thrill Is Gone," which is simply an ominous, desperate gem with an eerie string chart played by the Memphis Symphony. Little Milton's Chess years still contain his most clearly defined work, but as he stretched out a bit with Stax, Milton revealed that his guitar and vocal skills weren't just restricted to blues pieces. That he didn't have more commercial success with Stax is a bit of a mystery. 

(Steve Leggett)

01 - Let Me Down Easy [Live]

02 - I Can't Quit You Baby [Live]

03 - That's What Love Will Make You Do

04 - Walking The Backstreets And Crying

05 - Blind Man [Live]

06 - The Thrill Is Gone
07 - If That Ain't A Reason (For Your Woman To Leave You)

08 - Behind Closed Doors

09 - If You Talk In Your Sleep

10 - Tin Pan Alley

11 - I'm Living Off The Love You Give

12 - Blue Monday

13 - Lovin' Stick

14 - Little Bluebird

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Wayne Barrett & The Bulldogs + Cortona

Flamin' Groovies - Live At L'Olympia, 1975

Line-Up :
Chris Wilson - Vocals & Guitar
Cyril Jordan - Guitar & Vocals
George Alexander - Bass & Vocals
James Ferrell - Guitar
David Wright - Drums

Here's another Flamin' Groovies bootleg live recorded at l'Olympia in Paris, 1975.

All rock 'n roll lovers should appreciate it! The sound is quite nice, and the show very powerful.

Have a groovy time!

(Artwork by Little Big Ian)

01 - She Said Yeah
02 - Let The Boy Rock 'N' Roll
03 - St. Louis Blues
04 - Sometimes
05 - Teenage Head
06 - Yes It's True
07 - Misery
08 - Sweet Little Sixteen (Removed, Official Released on Marilyn USMLP 1020)
09 - Fall On You
10 - Please Please Me
11 - Please Please Girl
12 - Don't You Lie To Me
13 - Married Woman
14 - Shake Some Action
15 - Miss Amanda Jones
16 - Under My Thumb
17 - Big City
18 - Jumpin' Jack Flash


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Bob McFadden & Dor - Songs Our Mummy Taught Us

Robert "Bob" McFadden (19 January 1923 — 7 January 2000) was a singer and voiceover actor best known for his many contributions to animated cartoons. His best known characters were Milton the Monster, Cool McCool, and the ThunderCats' Snarf. In cereal commercials, he played Franken Berry and others.

McFadden was born in East Liverpool, Ohio and was in the United States Navy in World War II when he got his start as a singer and impressionist. He went on to do an opening act for the likes of Harry Belafonte in Pittsburgh where he worked at a steel mill. McFadden continued in this vein for years until a move to New York in the mid 1960s, which resulted in a great deal of voice-over work in commercials and animation. In the late 1950s he collaborated with Rod McKuen on a single entitled "The Mummy", the "B" side "The Beat Generation" parodied the then-emerging literary community of the name; on this record, McKuen used the pseudonym "Dor" and later claimed that Bill Haley & His Comets were the band used for the recording session, though this has not been confirmed. McFadden and McKuen also released a full-length album in 1959 called "Songs Our Mummy Taught Us" (Brunswick 54056). In 1963, McFadden released the parody album "Fast, Fast Relief From TV Commercials" (Audio Fidelity AFSD 6112).

He lived in Leonia, New Jersey. McFadden continued to work until the late 1980s, when poor health put him into retirement. He died in Delray Beach, Florida in 2000, twelve days before he would have turned 77.

01 - The Mummy
02 - The Shreik Of Agony (Shreik Of Agony-Cha Cha Cha)
03 - Shake, Rattle And Roll
04 - I Dig You Baby
05 - Frankie And Igor At A Rock And Roll Party
06 - Noisy Village
07 - Son Of The Mummy
08 - More Sing Along With The Mummy
09 - Bingo
10 - The Children Cross The Bridge/Inter/Colonel Bogey March
11 - The Beat Generation
12 - The Beverly Hills Telephone Directory Cha Cha Cha


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Cozy Cole - Cozy Cole Hits!

Who ever said jazz drummers couldn't rock??

Here we have one of the greatest & wildest drummers, Mr. Cozy Cole himself!

This is a very hard-to-find album, in which figures his best known masterpiece, "Topsy Parts I & II", and a lot of lost treasures.

Every single song starts with a "big" voice introduction, which makes me smile everytime, and of course the Allan Hartwell big band is really heavy.

I wouldn't say it's definitely my favorite jazz album, because it doesn't seem only restricted to that kind of music to me.. it's somethin' like "Big Beat"! Yeah that's it, if you dig that sound!

01 - Topsy I (Original Version)
02 - Bad
03 - Turvy I
04 - Afro-Caravan
05 - Topsy-Turvy I
06 - Topsy II (Original Version)
07 - Charleston
08 - Turvy II
09 - Late & Crazy
10 - Topsy-Turvy II
11 - Crescendo
12 - Topsy (Part I)
13 - Topsy (Part II)
14 - North Beach
15 - Let There Be Drums
16 - Ol' Man Mose
17 - Sing! Sing! Sing! (With A Swing)
18 - Big Noise From Winnetka (Part I)
19 - Big Noise From Winnetka (Part II)
20 - Christopher Columbus
21 - A Cozy Beat
22 - Rockin' Drummer
23 - Indian Love Call (Part I)
24 - Indian Love Call (Part II)


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R.I.P. Dale Hawkins

The rock & roll tornado lost his long battle with cancer, on february the 13th.
Dale's music will never be forgotten, he had a lot of wild presence in his voice and all the instrumentals were outstanding. I don't really know what to say about him because I didn't know him personally, but I can confirm he was a real cool cat.
My thoughts go to his family...

The Equals - A Retrospective Journey

 

Line-Up :

Derv Gordon - Lead vocals 

Lincoln Gordon - Guitar 

Eddy Grant - Guitar 

Pat Lloyd - Bass guitar 

John Hall - Drums

What to say about this awesome & forgotten band? At first, I didn't know this band before watching a Senders live video @ CBGB's, covering "Baby Come Back".. yeah, I came across internet, listening to the original version, and instantly thought "Damn, I sure have heard this tune at least three times!". So four times a fool! Whatever...

Some call The Equals a "skinhead band", others a "pop group", personnally I'd define it as true R&B.

From Wikipedia :

They started rehearsing on a council estate at Hornsey Rise, North London in 1965. In 1966 the group released the "Hold Me Closer" / "Baby Come Back" single, which did not capture much attention in the United Kingdom. However, in Germany and The Netherlands it went to #1 - a position its re-issue would later reach in the UK. Thus, the racially mixed London group gave President Records their only number one hit. A gold disc was presented to the group in June 1968 for a combined one million sales of the record. The year 1968 saw the release of "I Get So Excited" which appeared in the Top 50 of the UK Singles Chart. It was reported in September 1969 that all five members of the group had been injured in Germany, when their car ran off a motorway in a gale.

A string of single releases followed up to 1970, all of which charted in the UK. The group also attracted attention as one of the few racially integrated bands of the 1960s, which was reflected in the group's name: The Equals.

Following a collapsed lung and heart infection which put him out of action at the beginning of 1971, Grant went home to Guyana. He promptly left The Equals to pursue his solo career. In the late 1970s and early 1980s released several Top 40 singles, including "Living On The Front Line", "Electric Avenue" and "Romancing the Stone". Grant also topped the UK Singles Chart in 1982 with "I Don't Wanna Dance". Although The Equals never charted again after Grant's departure, they remained a popular live act, performing into the late 1970s and beyond.

In the late 1970s, The Clash recorded a successful cover version of The Equals' song "Police On My Back". In 2006 Willie Nile released his cover of "Police on My Back" on his Streets of New York CD.

The Equals' song "Green Light" was covered by The Detroit Cobras, on their 2007 album, Tied & True.

The song "Baby Come Back" refused to go away. It returned in 1994, when Pato Banton scored an unexpected UK number one with his cover.

01 - Baby Come Back
02 - I Get So Excited
03 - Laurel And Hardy
04 - Viva Bobby Joe
05 - I Won't Be There
06 - Michael And The Slipper Tree
07 - Green Light
08 - Help Me Simone
09 - Have I The Right
10 - I Can't Let You Go
11 - Police On My Back
12 - Black Skinned Blue Eyed Boys
13 - Diversion
14 - Honey Gum
15 - I Can See, But You Don't Know
16 - Funky Funky
17 - Softly Softly
18 - Rub A Dub Dub
19 - Giddy Up A Ding Dong
20 - Hold Me Closer


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Here's a great gig in Germany, '66 :

1: Baby Come Back/2: Baby You're Sad/3: I Won't Be There/4: Hold Me Closer

And here's the great cover of "Baby Come Back" by The Senders @ CBGB's, '90 :

Ike Turner - 1958-1959

(Also known as "King Cobra : The Chicago Sessions")

Ever the hustler, Ike Turner found himself picking up some extra money on a road trip through Chicago recording for Cobra Records both as a bandleader and sideman. After contributing the sparkle to several Otis Rush classics (an alternate of one of them, "Keep On Loving Me Baby" is found here) and some early Buddy Guy sides, Ike Turner also recorded a handful of sides, scant few of them seeing release until now. This CD collects them all up, including surviving alternate versions, and is a delightful fly on the wall invite to a 1950's Chicago blues session.

A rare gem & must-have for all fans of R&B!

01 - Matchbox (Version B)
02 - (I Know) You Don't Love Me
03 - You Keep On Worrying Me
04 - Box Top
05 - I'm Gonna Forget About You
06 - Down And Out
07 - You've Got To Lose
08 - Walking Down The Aisle
09 - Matchbox (Version B) [Alternate Take]
10 - Tell Me Darling
11 - I'll Weep No More
12 - Keep On Lovin' Me Baby [Alternate Take]
13 - (I Know) You Don't Love Me [Alternate Take]
14 - You Keep On Worrying Me [Alternate Take]
15 - I'm Gonna Forget About You [Alternate Take]
16 - You've Got To Lose [Alternate Take]
17 - Walking Down The Aisle [Alternate Take]
18 - Tell Me Darling [Alternate Take]
19 - I'll Weep No More [Alternate Take]
20 - Matchbox (Version A)

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Lonesome Sundown - I'm A Mojo Man

Lonesome Sundown (his real name was Cornelius Green) had a little bit more Delta and Chicago blues in him than most of his Louisiana labelmates who recorded for producer J.D. Miller. Not that Sundown's sound isn't solidly in the so-called swamp blues tradition, but where Slim Harpo, Silas Hogan, and the other Excello artists worked from a laconic, Jimmy Reed-like shuffle, Sundown quickened the pace (at least for an Excello act) to a nastier level, and with Miller's reverb-laden production, ended up sounding a little bit like Jimmy Reed on speed, particularly on tracks like "Don't Go." Not that Lonesome Sundown couldn't do the patented Louisiana blues shuffle when he chose to, as his signature tune, "I'm A Mojo Man," shows, or even improve on the pattern, as with the loose-limbed and brilliant "I'm A Samplin' Man," but he seemed most at home doing more standard blues fare like the modern-sounding "My Home Is A Prison." This collection from Ace Records essentially reproduces the same set that is available from Excello Records, only with a different running order. Although Sundown made a comeback of sorts with a mid-'70s album from Alligator Records, these Excello sides are the ones you need.

1 - Gonna Stick To You Baby
2 - I'm A Mojo Man
3 - I Stood By
4 - Don't Go
5 - Lonely Lonely Me
6 - You Know I Love You
7 - Learn To Treat Me Better
8 - Lonesome Lonely Blues
9 - I'm Glad She's Mine
10 - Sundown Blues
11 - My Home Ain't Here
12 - What You Wanna Do For It
13 - I Woke Up Cryin' (Oh What A Dream)
14 - When I Had I Didn't Need (Now I Need, Don't Have A Dime)
15 - I'm A Samplin' Man
16 - Hoo Doo Woman Blues
17 - It's Easy When You Know How
18 - I Got A Broken Heart
19 - Don't Say A Word
20 - Lost Without Love
21 - Leave My Money Alone
22 - My Home Is A Prison
23 - Lonesome Whistler


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The Howlin' Wolf Story - The Secret History Of Rock & Roll

DVD Rip (2003)

The Howlin' Wolf Story was directed by Don McGlynn, director of Charles Mingus: Triumph Of The Underdog and many other prize-winning film biographies. It was produced by Joe Lauro, whose company, Historic Films, Inc., supplied much of the footage for Martin Scorsese's blues series on PBS. Their in-depth look at Wolf's life and music includes astounding, rare film footage and never-before-seen photos of Wolf stalking the stage at the 1964 American Folk Blues Festival, on the TV show "Shindig" in 1965, at the 1966 Newport Folk Festival, and in the Chicago clubs in the '50s and '60s. It also includes entertaining and revealing new interviews with Hubert Sumlin, Jody Williams, Billy Boy Arnold, Sam Lay, Paul Burlison, Wolf's stepdaughters Barbara and Bettye, Dick Shurman, and many other people who played with and knew Wolf in his heyday. This is the definitive documentary about the Wolf—the most complete, personal, and exciting look at the blues legend ever put to film! The DVD includes :

- 90-minute director's cut (30 minutes of additional footage not seen in theaters)

- Rare footage of Howlin' Wolf presented by the Rolling Stones on Shindig performing "How Many More Years?"

- First presentation of previously unknown or unavailable performance footage

- Drummer Sam Lay's rare, never-before-seen home movies of stars of the Chicago Blues clubs from the early '60s

- Newly discovered photos of Howlin' Wolf and his band

 - First filmed interview with Howlin' Wolf's family

 - Exclusive interviews with Hubert Sumlin, Billy Boy Arnold, Marshall Chess, and many others

 A legitimate reason for which I share this documentary on download is that the DVD isn't available in France, and only exists on Zone 1 (America). I think the anti-piracy authorities can't blame me for that, firstly because Howlin' Wolf was dead a long time ago and I'm sure he wouldn't care about all these bullshits, and secondly because if it was available on the good standard in Europe (Zone 2), I sure would have bought it quickly as a big fan of the Howlin' Wolf! A shame..

Enjoy the devil's music, and I'd be glad to have your point of view on the documentary & reply to you.

Ahou-ouuuuuuuuu!

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Neil Innes - How Sweet To Be An Idiot

Line-up :

Neil Innes - Vocals, guitar

Ollie Halsall - Lead guitar, organ

Andy Roberts - Rhythm guitar

Dave Richards - Bass

Mike Kelli - Drums

Backing vocals by The Mucrons

Neil Innes' first solo album is split between tongue-in-cheek parody and straight pop songs akin to the sort of things he did with his first post-Bonzos project, the World. Sometimes the line between the two is imperceptible, as in the Roy Wood-like '50s pastiche "Momma B." However, as in Innes' best Bonzo Dog Band material, even the sillest songs on How Sweet to Be an Idiot, "Topless-A-Go-Go" and the title track, which later became a standard of Innes' stage performances with Monty Python, are solidly melodic Beatlesque pop. Recorded in between albums by Innes' primary project at the time, the rock and poetry supergroup GRIMMS, the album features that group's Andy Roberts, as well as Ollie Halsall, who would become Innes' musical partner in the Rutles half of a decade later, playing bass and singing the Dirk McQuickly parts that Eric Idle would mime to in the All You Need Is Cash film. The playing, as expected, is terrific, but as with many albums of the mid-'70s, there's an unfortunate sterility to Innes' self-production. Everything is just slightly too clean and precise. There are times when this is effective, especially on straight pop songs like "Dream," "Song for Yvonne," and especially the Wings-like "This Love of Ours," but a little of the anarchist spirit of the Bonzos would go a long way.

(Stewart Mason - Allmusic)

01 - Prologue

02 - Momma Bee
03 - Immortal Invisible
04 - Topless-A-Go-Go
05 - Feel No Shame
06 - How Sweet To Be An Idiot
07 - Dream On
08 - L'Amour Perdu
09 - Song For Yvonne
10 - This Love Of Ours
11 - Singing A Song Is Easy


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Au-Delà De L'Avenue D

Réedition du livre de Philippe Marcadé, "Au-Delà De L'Avenue D", chez Camion Blanc!
A acheter les yeux bondés!


Disponible ici

Été 1972, un jeune Français de dix-sept ans débarque aux États-Unis pour l’un de ces trips alors en vogue, sous la double influence de Kerouac et de Easy Rider. Par cette traversée initiatique et joyeusement enfumée, semée d’embûches tragicomiques, Philippe Marcadé démarre en trombe un récit vertigineux, uniquement fondé sur des souvenirs dont quelques autres moins modestes auraient façonné une légende. À la fois aux premières loges et dans la coulisse, il va vivre en dix ans l’équivalent de dix vies. Hippie sans conviction mais punk de la première seconde, Philippe Marcadé passerait aisément pour un mythomane hors catégorie si les photos qui accompagnent son témoignage n’en validaient l’authenticité, et surtout si la vérité du vécu ne palpitait autant sous chacune des anecdotes de première main qui bourgeonnent à chaque chapitre de son livre. Sans parler du casting, la plupart du temps vue sous un angle inédit. Jugez plutôt : des New York Dolls à Blondie, de Nan Goldin aux Ramones, de Nancy Spungen aux Cramps, il est de tous les baptêmes, témoin des effusions comme des (nombreuses) embrouilles, à l’origine parfois de certaines d’entre-elles. Philippe Marcadé est allé « au-delà », il en est revenu entier, et lorsqu’on dévore son témoignage, on se demande encore comment.
-Christophe Conte (Les Inrockuptibles)

Chris Kenner - I Like It Like That

Need a real shot of rhythm & blues? For those who don't know this talented singer, you're missing a part of music history.
Christopher Kenner, born in 1929, in the New Orleans suburb of Kenner, Louisiana, is firstly remembered for performing one hit single called "I Like It Like That", but his notoriety was a bit underrated for his other recordings. Though the man recorded on Imperial Records, knew well Dave Bartholomew (Fats Domino's producer) and saw his songs covered by many soul/r'n'b popular artists ("Land Of 1000 Dances" covered by Wilson Pickett & Rufus Thomas, and "Something You Got" covered by Them Feat. Van Morrison), he remains nowadays unknown by a major part of people.
Musically, Chris Kenner can be really close to Ernie K-Doe, and his tunes make you feel like groovin' & seducin' a little go-go girl, if you know what I mean :-)

CD Rip @320k


1 - I Like It Like That
2 - Anybody Here Seen My baby
3 - Shoo-Rah
4 - Johnny Little
5 - Gonna Getcha Baby
6 - Never Reach Perfection
7 - Something You Got
8 - That's My Girl
9 - Land Of 1000 Dances
10 - She Can Dance
11 - Come Back And See
12 - How Far
13 - Time
14 - All Night Rambler
15 - Packing Up
16 - (I Found) Peace


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The Phantom - Love Me

Line-Up :
Jerry Lott (The Phantom) - Vocals
Frank Holmes - Electric Guitar
Pete McCord - Bass Guitar
H.H. Brooks - Drums
Bill Yates - Piano

Recorded in 1958 at Gulf Coast Studio, Mobile, Alabama.
Master: MB 14019, Issued on Dot 16026.


Aaaarrrgh! Everyone who ever heard about The Phantom a.k.a. Jerry Lott must be very sick in his head! That record is not for soup music fans, it's for rock 'n rollers, people who can dig the magic of the 50's, Eddie Cochran, Charlie Feathers, Dale Hawkins, The Coasters, Sanford Clark, Mickey Hawks.. or even The Cramps (who were out of their time and contributed a lot in making known all those lost, dark & underground tunes).
Found this album thanks to Mean Gene, so have a look to his blog, there is more information about The Phantom, and you can download Jamie Coe's album which is compiled on the same vinyl : http://wobblewig.blogspot.com/2009/02/phantom-jamie-coe.html


01 - Love Me
02 - Plaything
03 - Too Much Rosita
04 - Tiger
05 - At The Hop
06 - Your Love's Got A Grip On Me
07 - Teenage Cutie
08 - Ever Since I Met Lucy
09 - Twice As Nice


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Bad Losers - Self-Titled LP

Vinyl rip

Line-up :
Kenny Silver - Lead vocals
Mr. T. Jones - Guitar, acid noises
N'Diago Pop - Guitar, guitar 12 strings, backing vocals, synthesizer
Lord Pearl - Bass, backing vocals
Sonny Slowdown - Drums, percussion

Produced by Dave Goodman
Released : 1986


This french glam-rock band is nowadays unfortunately unknown in the music industry, but we don't care because not many people digs rock 'n roll today. On this cover, they sure look like the NY Dolls or Hanoi Rocks, and that's not a coincidence with their music style. Don't take them for copycats or I'll kick your ass!
Many tunes could make you think of the Rolling Stones or Mott The Hoople riffs, and the guitar solos are really influenced by Johnny Thunders... and produced by Dave Goodman (the Sex Pistols sound-engineer) it's not necessarily a bad thing!
Come on guys, let's take a ride on main street, where the people are crazy but the things are emptyyy!!


01 - (Losers) On Main Street
02 - Illusion Of Love
03 - Not Anymore
04 - Evil Sacrifices
05 - Roy
06 - One Of The Boys
07 - Ann Arbor
08 - Prostitution


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Re-Up : The Senders - Do The Sender Thing

Hi folks!
I re-uploaded the Senders live album with a better sound quality (with no buzz this time!).
Here's the link :
http://rapidshare.com/files/267369847/The_Senders_-_Do_The_Sender_Thing.rar

Dum Dum Boys - Nothing Means Nothing

Vinyl rip

Here's the first & rare LP of the french Dum Dum Boys, issued in 1988 on Closer Records. This is definitely my fav' DDB album, one of the most raws & rock 'n roll, ideal for a trip party. If you dig the Stooges, the Velvet Underground or the Spacemen 3, get on with it!


01 - Right Away
02 - Fallin' Down
03 - Rave Up!
04 - Sound Of Confusion
05 - Uptight
06 - No Man's Land
07 - Nothing Means Nothing


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Gang War - Street Fighting

Line-up :
Johnny Thunders - guitar
Wayne Kramer - guitar & vocals
Bobby Thomas - bass
John Morgan - drums

Tracks 1-12: Rock City Montreal, Dec. 28, 1979
Tracks 13-17: Channel Club, Boston June 20, 1980


This record is from far one of the best Johnny T.'s performances I've ever listened to, and of course Wayne Kramer is responsible for that too! The sound is correct, and the set really powerful. "Hey Thanks" is my favorite one.



01 - Ramblin' Rose
02 - London Boys
03 - These Boots Are Made For Walking
04 - M.I.A.
05 - The Harder They Come
06 - Endless Party
07 - I'd Much Rather Be With The Boys
08 - I'll Go Crazy
09 - Hey Thanks
10 - The Courageous Cat
11 - Just Because I'm White/Bright Lights Big City
12 - Around & Around
13 - The Harder They Come
14 - Ten Commandments Of Love
15 - Like A Rolling Stone
16 - Endless Party
17 - Do You Love Me


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Neil Innes & The World - Lucky Planet

Line-Up :
Neil Innes - Lead vocals, guitar, piano
Dennis Cowan - Bass, guitar, vocals
Ian Wallace - Drums, vocals
Roger McKew - Lead guitar
Guest on track 2 : "Bubbles" White - Lead guitar

Produced by Neil Innes


What does a Bonzo do when his world crashes around him? Answer: build a new one.

And Neil Innes, one time pianist, writer and singer with the Bonzo Dog Doo Dah Band has taken the plunge and formed his own group.

Nobody's mourned the passing of the Bonzos more than the group. But its demise seemed inevitable when they did not get the recognition they felt four years hard work deserved. It left high and dry a bunch of personalities with individual talents who were used to working together, in however loose a fashion. In some cases, their present whereabouts and activities are a bit of a mystery. Saxist Rodney Slater is believed to have given up the music business and has taken to social work. Legs Larry Smith produced a record which flopped, and was last seen loudly hailing taxis in London's Wardour Street.

Roger Spear, the ace explosions and machines man has gone out on the road with his own successful and hilarious one man show The Giant Kinetic Wardrobe.

One of the most positive steps for the future has been taken by Neil and bassist Dennis Cowan., They have formed a group simply called THE WORLD, have released a single called "Angelina" and plan an LP release called "Lucky Planet" on November 6.

All the material has been written by Neil and the music ranged from rock to pure pop. Naturally some of the Bonzos flavour has been retained, and humour has not been entirely abandoned from their "live" act.

The line-up includes Neil (lead vocal, piano and guitar) Dennis Cowan (bass, guitar and vocals), Ian Wallace (drums, vocals), and Roger McKew (lead guitar).

Neil appeared in the MM's ale house, the Red Lion, this week, clutching a packet of Gold Flake "Honey Dew" cigarettes, and wearing an elderly sports jacket and a Volkswagen.

"We've played a few gigs so far." he revealed, "and they went down really well."

What led to the formation of the World? "When Vic (Viv Stanshall) got ill, I got a bit fed up. Dennis and Ian Wallace and myself were free, so we thought of forming our own group.

It was all surprisingly easy. We got Roger McKew and we got together last May and started to rehearse. We're signed to Liberty, but we are also free to record with who we like.

It's funny, we didn't know how it would turn out, but we are all pleased with the band, and I'm sure it will go from strength to strength, although it's early days yet.

"I haven't really changed in my song-writing style. I write about the same sort of things really., Some of the songs have Bonzo titles like '95 Pollution Blues.'* I was always interested in the things Vic did and I backed him up. I will still be dealing with images and outspoken ideas, but now I can get more into the music.

"The Bonzos were really individuals who were accidentally teamed up. It didn't break up through disagreements on policy, because we never had a policy. And it was not through personal reasons because we were closer friends at the end than we had been through the whole history of the band. We were just tired physically and mentally. We hadn't had a holiday in all the time the band was together. And we went through some heavy management scenes."

Did Neil feel personal regret at their passing? "Oh, enormous... incredible feeling of nostalgia. When Vic got ill we thought of reforming if it would have helped him in any way.

"He was silly really in that he went on with the Big Grunt right after the Bonzos, without a rest."

What is the significance of the title of Neil's new group - if any?

"Nothing in particular except that it means a 'whole' and not being particularly dogmatic about anything. The name could either have been the 'Strawberry Armpit' type or joke names like 'The Thousand Guitars Of Vernon Motion.' Vernon Motion was the performing parlour snake of the "Thirties you read about in the Sunday colour supplements. It's perfectly true!

"We hope the band will sound fresh and our stage act isn't a heavy moody thing."

What was the LP called?

"Lucky Planet."

Lucky hairnet?

"Yes, that'll do! I've always been the quiet spoken member of the group. I got the title from the Evening Standard horoscope. Today - Jupiter is your Lucky Planet!

"I'd like the group to be Overground rather than Underground. Nothing would please me more than to get into the chart. Not for the money - but to get the recognition. I just hope people accept the World as guys who can play their instruments and are trying to get something across.

"WE'RE NOT GOING TO BE A TEENYBOP BAND ANYWAY."
(Chris Welch, Melody Maker)


1 - Angelina
2 - Come Out In The Open
3 - Not The First Time
4 - Sail Away
5 - 9-5 Pollution Blues
6 - Lead Us
7 - Things I Could Have Said
8 - Come Out In The Open (Version 2)
9 - Godzilla's Return


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Greedy Bastards - Live @ Trokson, 2008

Line-Up :
Little Big Ian - Guitar, Vocals, Harmonica
Louis Lemounaud - Guitar
Malcolm "Comio" Rebourg - Bass, Vocals
Noël Kay - Drums


Je tenais à faire découvrir ce groupe Lyonnais si peu connu, qui est le mien, et pour qui la musique est intemporelle. Les Greedy Bastards, c'est avant tout un long parcours, depuis le lycée, jusqu'à un changement de formation (deux guitaristes actuellement, et Noël Kay, batteur de Slaughter & The Dogs). Ce live (quoique un peu trash) a été enregistré au bar le Trokson à Lyon, le 6 décembre 2008.
Vous retrouverez un set de reprises de groupes que nous respectons pour l'amour du rock 'n roll, tels que Johnny Thunders, The Senders, Flamin' Groovies ou encore Tony Truant.
Tous les avis sont les bienvenus!

Les Greedy Bastards donneront leur dernier concert le samedi 6 juin au Trokson à Lyon. Don't miss it!


1 - Night Owl Blues
2 - Doctor Boogie
3 - Little Bit Of Whore
4 - You Really Piss Me Off
5 - Personality Crisis
6 - Second Cousin
7 - Let Go
8 - Baby Talk
9 - Part Time Love
10 - Road House
11 - Devil Shootin' Dice
12 - The Bitch
13 - J'ai Pris Du Speed
14 - Born To Lose


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Downtown Soulville!

Here's a fabulous compilation with a bunch of old obscure soul bands that might have been forgotten. Makes you wanna twist, shake and dance all night long!


1 - Carl Holmes & The Commanders - Soul Dance No. 3
2 - Lewis Clark - Dog (Ain't A Man's Best Friend)
3 - Art Grayson & The Graysettes - Better Hush
4 - Weston Prim - Get That Feelin'
5 - Lonnie Youngblood - African Twist, Pt. 1
6 - Johnny Sayles - Can't Get Enough (Of Your Love)
7 - Bobby Sax - Sock It
8 - Ted Taylor - Daddy's Baby
9 - Derek Martin - Daddy Rollin' Stone
10 - Little Daddy Walton & Son - Gitin It With Soul
11 - Floyd Smith - Soul Strut
12 - Eddy 'G.' Giles - Soul Feeling, Pt. 2
13 - Chuck Edwards - Downtown Soulville
14 - Leon Haywood - It's The Last Time
15 - Little Richard - Baby Don't You Tear My Clothes
16 - Jesse Gee - Don't Mess With My Money
17 - Carl Holmes & The Commanders - Crossin' Over
18 - Jimmy Lynch - Notions Of Mr. Motions
19 - Billy Wade & The 3rd Degrees - Tear It Up, Pt. 1
20 - Tom Dooley & The Lovelights - Tight Rope
21 - Jimmy McQuade & The Unique Echos - Booga-Ka-Do
22 - Bobby Barnes - The Skate
23 - Carol Jones - Problem Child
24 - George Torrence & The Naturals - Licking Stick


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SCUM - The Lost Tapes

Line-Up :
Wayne Barrett : Vocals
Noël Kay : Drums
Karim Mansour : Guitar
Zeus : Bass



A l'heure où Slaughter And The Dogs avaient déjà splitté et s'étaient reformés avec Morrissey au chant, le Manchester boy, Wayne Barrett, ne perdait pas son temps à se contenter de jouer qu'avec des anglais.. installé à Lyon dans les années 80, il monta alors un groupe de rock peu commun, dont les 3 autres membres provenant d'une formation jazz-rock ne sont d'autre que Noël Kay (batteur enragé de Slaughter And The Dogs, depuis la reformation du groupe fin 80's avec Wayne), Karim Mansour (guitariste underground très doué, avec un penchant pour Allan Holdsworth et Ollie Halsall) et Zeus (bassiste fan de Cheap Trick, à ce jour restaurateur). Imaginez une alliance entre ces 4 zikos, où le rock 'n roll, le jazz-rock et le hard-rock se mêlent.. ça donne un truc totalement bizarre et surprenant!
Ils vont même jusqu'à faire un hommage à George Benson, en reprenant "On Broadway", dont ils ont aussi fait un clip à Lyon.
Scum a partagé entre autres l'affiche avec Def Leppard, Richie Blackmoore, Trust, Téléphone, Iron Maiden ou encore Killing Joke.
Signés à l'époque chez Barclay, aucun album n'a jamais vu le jour, et c'est pour cela que je ressors d'une vieille flight case aux trésors tous leurs enregistrements à partir d'une cassette DAT. La cassette a très mal vieilli, le son est crade, les basses overdubent de temps en temps et la caisse claire sonne comme du chewing-gum, mais ça reste une bonne archive! Parmi mes préférées figurent "On Broadway", "Days Are Cold", "Wife Stealers", et "Open Range" une superbe ballade.
Do It Dog Style!


1 - On Broadway
2 - Days Are Cold
3 - I Don't Know Why
4 - Sinners Of All Kinds
5 - Wife Stealers
6 - City Slickers
7 - Ice Gin
8 - I Went Down
9 - Wild Colonal Boy
10 - All Night Long
11 - Life Is A Cancer
12 - Life Is Like A Deep Wishing Well
13 - Open Range


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